The Emergence Of Cinematic Time - 1869 Words

Tim Hodge In Mary Ann Doane’s The Emergence of Cinematic Time , she opens with an explanation of the historical development of time as we now understand it. I believe that is the most important aspect of the text. She discusses a shift in the fundamental understanding of the existence of time concurrent with the development of the concept of capitalism. This not only shapes our understanding of the image but of a fundamental understanding of our existence in the contemporary world. Though that may seem a tad melodramatic, I challenge you to come up with one aspect of your life and your art that is not affected by your temporal experience. It is difficult to conceive of one aspect of our lives and our art that is not affected by temporal experience. Aside from being late for an appointment, the effect of time is most prevalent when viewing other’s moving images. Doane argues that the creation of capitalistic time grew out of the proliferation of pocket watches and trains. That â€Å"time becomes uniform, homogenous, irreversible and divisible into verifiable units.† (Doane 6) These measured units of time end up having their effect most felt by people. As simplistic as that statement may be that is what productivity and efficiency come down to, the experience of people. The struggle for productivity and efficiency profoundly affect the experience of people. The positive consequences of this are the developments that we see in the world around us such as global travel, modernShow MoreRelatedNew Style of Televisuality713 Words   |  3 Pagesdue to these changing elements in the television industry. The two stylistic worlds within televisuality were the â€Å"videographic† and the â€Å"cinematic†. The videographic style refers to the use of hyperactive effects and multiple graphics (13). These were achieved through the electronic manipulation technology that was rapidly growing during the 1980s. The cinematic, on the other hand, refers to feature film production values within television. High production values brought the spectacle of the big screenRead MoreVisual Representation in the Movie Donnie Darko987 Words   |  4 Pagesscreen technology and the use of computerized editing, films today have completely evolved from the early versions of motion pictures. With these advances, directors like Kelly are more able now, than ever before, to include better audio, visual and cinematic effects to better enhance their films and portray a deeper and more emotional feeling to the piece at work. In regards to the â€Å"Head over Heels† montage in the film, Kelly was able to accurately and systematically show what was going on around Donnie’sRead MoreStuart Halls Cultural Identity and Diaspora1599 Words   |  7 Pagesoutside the work of representation. They are problematic, highly contested sites and processes. Identities are social and cultural formations and constructions essentially subject to the differences of time and place. Then, when we speak of anything, as subjects, we are essentially positioned in time and space and more importantly in a certain culture. These subject positions are what Hall calls â€Å"the positions of enunciation† (222). Hall talks about cultural identity from two different, but relatedRead MoreMarvel Of Comics : Marvel Comics2477 Words   |  10 Pagesof the superhero genre by creating Superman and Batman, Marvel Comics would refine the genre through innovations in storytelling and art in the 1960s, publishing titles such as The Avengers, X-Men, Fantastic Four, and, most notably, Spider-Man. A s time progressed, however, the comic industry changed. Readers became older and a collector’s submarket emerged. Marvel attempted to take advantage of this by expanding into the trading card and distribution business, but the expansion was ill-conceivedRead MoreCritical Responces to Madame Sata1137 Words   |  5 Pagesthe story of Joao Francisco dos Santos’ rise to fame as the Brazilian Pop Culture icon, Madame Sata, comes to life. The film, also titled Madame Sata, addresses issues of race, gender and sexuality in relation to Brazilian culture through various cinematic effects and the depiction or interpretations of characters through their actions and dialogue.This film has many layers that can be taken apart and analyzed with the underlying social issues in mind while providing a somewhat accurate account ofRead MoreThe Decline Of The Film Industry Essay1360 Words   |  6 Pages Like other major innovations such as the automobile,  electricity,  chemicals a nd the airplane,  cinema emerged in most Western countries at the same time.  As the fundamental form of industrialized entertainment,  it was very pervasive. From the 1910s onwards,  each year billions of cinema tickets were sold and consumers who did not regularly consult the cinema became a minority.  For examples,  in Italy,  the film industry was the fourth largest export industry before the First World War,  but today hardlyRead MoreAnalysis Of The Story Cuba 1217 Words   |  5 Pagesand its revolution. Literary and cinematic reenactments are a great method for providing historical knowledge. However, they can be heavily biased and much of the factual evidence can be â€Å"silenced† throughout the films and novels. Cuba has always been a region of great interest due to its location in the Caribbean Sea. The nation resisted capitalism for over forty-five years and aside from North Korea, is the last to be practicing communism. For a long period of time, Cuba and underdevelopment wereRead MoreComparing the Narrative and Formal Devices of ChungKing Express and A Bout de Souffle650 Words   |  3 Pages Wai employs a number of cinematic techniques, obviously derived from the French New Wave, such as for example the jump-cut which is evidently taken from Godard’s film. His use of the Godard-ian jump cut seamlessly blends temporally-exclusive scenes together, making the passage of time unnoticeable. Other Godard-ian touches include the many shots of clocks, which remind the viewer that despite the protagonist’s fixation on the past, time continues to move on and thatRead More Comparing Apocalypse Now and Heart of Darkness Essay1489 Words   |  6 Pagesperiod, setting, and circumstances of the film are totally different from those of the novella. Yet, a close analysis of character, plot, and theme in each respective work reveals that Conrads classic story of savagery and madness is present in its cinematic reworking. The story of Heart of Darkness is narrated by its central character, the seasoned mariner Marlowe, a recurring figure in Conrads work. Apocalypse Now features a corollary to Marlowe in Captain Willard, a U.S. Army special forcesRead MoreThere Will Be Blood Analysis1581 Words   |  7 Pagesloneliness, lust for power, false personas, hatred, lack of faith, mistrust and loss of humanity. Anderson explores these themes through the characters of Daniel Plainview and Eli Sunday. In addition to character exploration, Anderson uses a variety of cinematic techniques in order to subtextually portray these themes. These techniques include, contrasting lighting, long shots, wide angles and mis en scene. The first themes to be explored in There Will Be Blood are ambition and loneliness. The film begins